(tbc) Peggy + Wright will combine again, B Driver sequel: https://www.slashfilm.com/edgar-wright-and-simon-pegg/
This post will compare 2 movies to get a better insight into the different approaches taken and challenges facing a notable UK Indie producer and a prestigious UK big six studio-backed subsidiary. The film's are selected to be a mixture of typical for the companies but also contrasting in some key ways. Neither can be judged as a great commercial success - typical for one company, fairly unusual for the other...
The contenders:
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This blog explores US influence (financial + cultural), Anglocentric (ie, primarily English) representations, digitisation, ownership, industry developments, audience, media theories, tracking key news + events, with Film/Media A-Level/undergrad students + educators in mind. Examples often include Sheffield's Warp (Indie) and London/LA-based Working Title (NBC-Universal subsidiary), ie This is England/Four Lions v Bridget Jones/Green Zone! Please acknowledge the source/blog author: Mr D Burrowes
Tuesday, January 30, 2018
Warp's '71 v Working Title's World End
Labels:
'71,
box office,
distribution,
research task,
warp,
working title,
World's End
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