Showing posts with label Kevin Smith. Show all posts
Showing posts with label Kevin Smith. Show all posts

Saturday, January 13, 2018

WEB 2.0 Will vlogging boost two Smiths?

More widely seen through Facebook, but in 5 days 125k views (link)
Vlogging and other examples of web 2.0 application are more readily associated with the music industry: from Lily Allen's (quietly corporate-funded) bedroom recordings and MySpace, to Gaga's self-contained Little Monsters site and Biebers army of lunatic Beliebers on Twitter and anywhere else anyone dares to question their deity, while he pours out seemingly unfiltered nuggets on those same platforms.

Will Smith has just gone viral with one of a recent series of seemingly off-the-cuff, unfiltered videos, or vlogs (vodcasts). I've seen it through my own Facebook feed, switching it off after a few seconds of what struck me as American hokum (though I'm sympathetic to the general point of the potential power of learning from failure).
Link.

The article on this struck a particular chord (i'm even writing this post a 2nd time after a finger slip lost me an hour's worth of phone tapping on the blogger app) as 2 of his tracks popped up on a shuffle play of one of my more eclectic playlists during an hour or so at a local hostelry yesterday - deeply buried amidst 1,293 tracks with Slayer and Celtic Frost among other delights - and the clear retro-fuelled buzz (yup: namecheck for Simon Reynolds' book Retromania but also the ol' uses and gratifications theory...) it sparked.

Smith's stellar career has dulled, with the Netflix-distributed Bright not exactly setting the world alight. Haven't seen it yet, so I'll reserve my own judgement, but the LOTR-Lethal Weapon mash-up it suggests at least sounds faintly intriguing.

Tuesday, June 03, 2014

DIGITISATION: Kevin Smith, podcast auteur?!

Jay and Silent Bob in Clerks; they've inspired a shoe range!
I'm not sure what traction the name has with today's teens, but for (some of!) my generation, Kevin Smith, a remarkably foul-mouthed film-maker who put together a classic/cult debut film for peanuts (Clerks, $28k!) whilst working full-time in a dead-end job, has made a remarkable claim about his status:
Filmmaking is the only art form where you say, "I wanna express myself. Give me $10m and Ben Affleck." ... But all along what I could do was talk. If podcasts were movies, I'd be up there with Spielberg, dude.
Read a Biskind interview here.
If it was now, I would have seen Slacker and written a blog about it or recorded a podcast. That would have been enough. The entire message of my career is that if you want to do it, you should try. I am a chimp and I built a career out of making films. And I don't even consider myself a film-maker! Oh yeah, and PS: neither do the critics.
For a film-maker who created the iconic/cult characters Jay and Silent Bob, and who has two decades of film-making behind him, that's quite a statement.
In a real sign of the times, he's currently in the UK touring a combination of a 60-min animation and a podcast recording!

Peter Biskind's book Down and Dirty Pictures, which tracks the rise and fall of the Indies from the 80s to the mid-noughties (including glimpses of WT), frequently features Smith, whose up and down relationship with Miramax and its fierce co-head Harvey Weinstein tells you a lot about how the industry works (or malfunctions!) ... and is a sequel to arguably the best book ever written about cinema, Easy Riders, Raging Bulls.

The current (June/July 2014) tour is an indication that film may be undergoing a similar shift to the music industry, in which CDs are increasingly a secondary revenue stream compared to tours and merchandise. As is becoming a widespread music concert practice, there is a VIP option for keen fans:

The mini-tour even has an official sponsor! Screenshot from seesmod.com.

I've blogged on similar events on the MusiVidz blog (on the music industry/videos), but can also make a link to the book industry where, once again, there is a decline in sales of physical texts and publishers are looking to author tours as one means of replacing the lost revenue:
the rise of Amazon and the Kindle is transforming the nation's publishing institutions, which are being forced to seek new sources of revenue. As bookshops close, authors are embarking on rock star-style tours; the newly formed mega-publisher Penguin Random House sold 10,000 tickets for a reading tour by Caitlin Moran. The publisher is also turning one of its most famous characters, Peter Rabbit, into a cartoon and is seeking tie-ins with toymakers and chocolatiers.
Some publishers are looking at diversifying into new forms of content, for example by combining books, films and games into a new narrative genre. A new iPad thriller called The Craftsman, launched last year, turns the reader into the main character in a gothic, cinematic chiller.
(from this article on eBooks set to overtake print books by 2018)
  
You can read the full article below, or click here.