It was Walt's observation that cable is now fulfilling the creative and compensatory void that has been created by film's dying middle-class.
This blog explores US influence (financial + cultural), Anglocentric (ie, primarily English) representations, digitisation, ownership, industry developments, audience, media theories, tracking key news + events, with Film/Media A-Level/undergrad students + educators in mind. Examples often include Sheffield's Warp (Indie) and London/LA-based Working Title (NBC-Universal subsidiary), ie This is England/Four Lions v Bridget Jones/Green Zone! Please acknowledge the source/blog author: Mr D Burrowes
Monday, April 26, 2010
End of medium budget film?
I've touched on this before, the growing sense that mid-level Hollywood cinema is being squeezed out by tightening economics on the one hand and the Big 6's tentpole strategy on the other (making fewer movies, and concentrating on mega-budget blockbusters). Karl Sutter argues [NB: there is some strong language in this blog piece] that US cable TV (think HBO, home of The Sopranos, The Wire and many more) has become the new home for much of the talent that would previously have worked on $10-50m movies. [There is no set definition for low or medium budget movies]
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