When's the 201 AS (UK) exam? Exams start on the 16th - the G322 exam: Thursday 19th May, 9am. Yr12 Study Leave begins after ? May (Yr13 from the ?)

Saturday, April 08, 2017

Blockbuster model threatened as release window slashed to 3 weeks?

Blockbusters assemble: can the mega movie survive the digital era? https://www.theguardian.com/film/2017/apr/07/blockbusters-assemble-can-the-mega-movie-survive-the-digital-era?CMP=Share_AndroidApp_Blogger

Thursday, March 09, 2017

CINEMA gimmicks including playpens

A theater chain wants to add jungle gyms to movie screens. It's a bad idea https://www.theguardian.com/film/filmblog/2017/mar/08/movie-theater-play-area-jungle-gym-cinepolis-junior?CMP=Share_AndroidApp_Blogger

Monday, March 06, 2017

REPRESENTATION Emma Watson post-feminist pose?

Emma Watson 'stunned' by criticism that Vanity Fair cover is not feminist https://www.theguardian.com/film/2017/mar/05/emma-watson-vanity-fair-cover-feminism?CMP=Share_AndroidApp_Blogger

Thursday, February 16, 2017

CONVERGENCE Love Actually mini-sequel for TV

What joy - a sequel to the wonderful Love Actually, the profound Richard Curtis classic that puts would-be auteurs like Welles, Hitchcock, Scorsese et al to shame.


Tragically, there will be only ten minutes of this cinematic feast, delivered through TV, as part of the Comic Relief telethon that Curtis helped create. One can only hope for a fourth Bridget Jones movie to ease the pain.

Thanks to Richard for alerting me to this televisual splendour, a nice example of convergence, with the TV/film divide fading - About a Boy being another Working Title example.

LA itself has become a meme since its release; as this article notes, comparisons have been made between the Grant character and Canadian PM Trudeau this week.
A notoriously polarising film, Love Actually’s cultural currency has grown in the 14 years since it was released. The film has been repeatedly unpicked, spoofed and deconstructed; four foreign language films – in Japanese, Hindi, Polish and Dutch – have also been inspired by the movie.
The showdown between Hugh Grant’s upstanding UK prime minister and the boorish, lecherous US president – reportedly based on a Bill Clinton/George W Bush hybrid – has been a touchstone of political discourse ever since. Even this week, Canadian premier Justin Trudeau found himself compared to Grant, following his meeting with US President Donald Trump. 
...



Sunday, February 12, 2017

LIONSGATE thrive without tentpoles

An overview of Lionsgate's evolving strategy, although I don't share the author's confidence that a reversion to lower budget (current hit and Oscar favourite La La Land cost $30m), arthouse Oscar bait is an intentional shift, rather the ending of two huge YA franchises based on book series that came to firm endings.

Their 2017 slate includes a new book adaptation, My Little Pony and Power Rangers, not to mention a Saw reboot, so they're clearly not done with what Elberse describes as the blockbuster strategy yet, let alone the all-prevailing franchise model.

La La Land's success heralds return to Lionsgate's small-scale roots https://www.theguardian.com/film/2017/feb/11/la-la-land-lionsgate-film-studio?CMP=Share_AndroidApp_Blogger

Saturday, February 04, 2017

INDUSTRY TV soars while film DVD slumps

Falling DVD sales put boot into profits at Sony Pictures https://www.theguardian.com/film/2017/feb/03/sony-pictures-dvd-sales-profits-streaming?CMP=Share_AndroidApp_Blogger

Wednesday, February 01, 2017

BBFC Trainspotting joins small band of 18-rated hits

And it’s rare that an 18-certificate film opens north of £5m. Ignoring previews, only three such titles have done so: Fifty Shades of GreyBrunoand Hannibal.

The success is also noteworthy for the 2 decade gap between franchise entries, something only Star Wars (19 years after Jedi) can claim.

Return trip: T2 Trainspotting shoots up UK box-office chart https://www.theguardian.com/film/2017/jan/31/uk-box-office-film-t2-trainspotting-sing-la-la-land-split-hacksaw-ridge?CMP=Share_AndroidApp_Blogger

Friday, January 27, 2017

INDUSTRY Tax break makes UK major production base

Star Wars and Trainspotting sequels help UK film production break records https://www.theguardian.com/film/2017/jan/26/star-wars-trainspotting-t2-uk-film-production-rise-bfi?CMP=Share_AndroidApp_Blogger

Sunday, January 22, 2017

INDIE ARTHOUSE CINEMAS flourish with weddings and events

New figures show a big increase in the UK market share of Indie cinemas, up from 17% in 2015 to 23% in 2016, and nearer 34% if Indies bought up by chains like Picturehouse are added.

I've blogged on the rise of boutique, small-scale arthouse cinemas such as that launched last year in Ilkley (and the longer established CinemaTheque here, in a country where the Utopolis chain dominates), but also the rise and rise of event cinema, from live screencasts of opera, theatre and orchestra to director Q+A's.

Now we're seeing weddings in cinemas, films paused so the audience can taste the same wine or chocolates as the characters on screen ... a lot of innovation in the fightback against home cinema and the emergent streaming giants.

Wine, weddings and ballet: new role for indie cinemas at heart of high streets https://www.theguardian.com/film/2017/jan/22/indie-cinema-at-high-streets-heart-brighton-blackpool?CMP=Share_AndroidApp_Blogger

Thursday, January 19, 2017

SAUDIA ARABIA Sod that, cinema banned!

Saudi Arabia to continue ban on 'immoral, atheistic' cinema https://www.theguardian.com/film/2017/jan/18/saudi-arabia-ban-immoral-public-cinema-grand-mufti-sheikh-abdulaziz?CMP=Share_AndroidApp_Blogger

Wednesday, January 04, 2017

FRANCE CHINA $180m Eng lang tentpole Valerian

A Chinese production company invested $50m of the staggering $180m budget - standard fare for Big Six Hollywood fantasy, sci-fi and action franchise flicks but more than twice the previous highest budget French production, the $78m Asterix.

To put that into perspective, the UK's consistently most successful production company, WT, have never since exceeded the $100m of war action movie Green Zone, a Matt Damon vehicle.

Having watched the trailer, it strikes me as Blade Runner meets Avatar - though director Lux Besson's 20 year-old Hollywood sci-fi hit The Fifth Dimension is another apt comparison. Where that movie starred Bruce Willis in his global box office pomp, it's much less certain that lead Cara Delevingne can carry the marketing. Her presence didn't help Suicide Squad's relatively disappointing box office.

http://m.imdb.com/title/tt2239822/

Sci-fi and superheroes in 2017: can Luke Skywalker save us from Hollywood's bleak year ahead?

https://www.theguardian.com/film/filmblog/2017/jan/04/sci-fi-and-superheroes-2017-can-luke-skywalker-save-us-from-hollywoods-bleak-year-ahead-ridley-scott-blade-runner-ryan-gosling-week-in-geek?CMP=Share_AndroidApp_Copy_to_clipboard