Showing posts with label Leeds. Show all posts
Showing posts with label Leeds. Show all posts

Monday, December 01, 2014

1 in 5 homes with cinema room by 2020?

This previous post looked at NBC-Universal's $35k home rental scheme, very relevant to the theme below...
According to a recent survey, a fifth of Britons aim to have a dedicated cinema room by 2020 ... and 8% already do! The rise of home cinema has long been noted, but this is a step beyond having a large screen TV in the living room, being something closer to the setup seen in The Sopranos, the classic HBO series, where mafia don Tony brings round his cronies to sit in comfort and watch DVDs of such gangster flicks as The Public Enemy.

The rise of cinemas such as Leeds' Everyman, with its large sofa seating and tables for drinks and food (with the food menu going well beyond popcorn, and premium beer/drinks available), indicate one means by which the cinema industry is attempting to fight back against the increasing numbers staying at home for their cinema experience. Everyman's pricing strategy also quite purposefully tries to exclude many of the teens who effectively ruin the cinema experience for adults.

The site I read the home cinema stat on was pushing a new concept, the rise of corner shops and off-licenses as the replacement for dedicated video rental stores, with the demise of Blockbuster the most visible sign of their disappearance from the high street, with pressure from Netflix and other streaming services, piracy and supermarket sales all proving terminal.

The article specifically cites 'automated kiosks' - have any of you ever encountered one of these? Clearly yet another means by which digitisation is opening up further possibilities for distribution.
In 2013 70% of TV sets sold in the UK were classified as big – 26in-32in – and nearly 16% were were “jumbo” – 43in or bigger. This is up 4% from the year before, according to TV Licensing’s annual Telescope report on the nation’s viewing habits.An earlier report found that 8% of Brits expect to have a dedicated cinema room in their homes by 2020.With staying in firmly established as the new going out, and consumers abandoning FOMO, the fear of missing out, in favour of JOMO, the joy of missing out, there’s never been a better time to cash in on the sales opportunity offered by big nights in, and this year OLN is looking at how to host and sell the perfect movie night.As more and more traditional video and DVD rental shops have gone out of business in the face of competition from postal and on- demand services such as Amazon Prime and Netflix – giant Blockbuster went into administration late last year – some off-licences have stepped into the gap, offering customers DVDs for rent or sale.Automated video kiosks such as those offered by Original Video (original-video.com) have taken off in the US, where they first launched in 2002 and where there are now more than 30,000 units in operation. The model is simple, with new release movies offered for a small hire charge and, according to Original Video, they can make up to £500 a week.Even if you don’t offer DVDs yourself, this is a great time of year to inspire customers to make a big night in of their film evening with an innovative aisle-end or window display – and don’t forget to lay out the snacks, as nibbles such as popcorn, crisps and sweets are a key ingredient.To get you started, we’ve lined up some classic film choices – and suggestions to drink with them.■ Casablanca: Humphrey Bogart’s Rick is a self-confessed drunkard, and in the course of the film plenty of wine, bourbon, brandy and Cognac is consumed. But when you watch Casablanca, why not have a Champagne toast along with Rick and his lover, Ilsa, played by Ingrid Bergman. They’ll always have Paris.

Thursday, September 25, 2014

Warp's £5m+ '71



(click through on to YouTube for the StudioCanalUK page)

I'll blog again on '71, Warp's highest-budget production to date, reportedly (Screen) around £5m ($8.1m), but take note for now that it is officially released on Friday October 10th, with screenings at the National Media Museum in Bradford amongst others:
I'm hoping to attend the 615 Friday screening - keep an eye out for any marketing of this film; if you spot any billboards or cinema stands, take a snap and pass on a picture!

UPDATE: DVD INTERVIEW JANN DEMANGE [Filmmakers' responsibility with representations; his own background/compare to Elizabeth; Film v TV; prioritising the grey or polysemy]

Would we really expect anything less from Warp ... the DVD (out March 9th; cinema release was October 10th 2014) has some useful extras: interviews with the lead, director and screenwriter. The following aren't quite verbatim, but quite close:
We have a real responsibility making films. This was about a really painful period in many people's lives, and we had to keep that thought and not just make choices for audience entertainment.
He raises his background - you could usefully compare this to Shekhar Kapur getting the gig for Elizabeth (Indian, no knowledge of the era!), an instance of WT taking a big commercial risk (that paid off handsomely: a $30m film that made $82m and spawned a sequel/franchise).
I'm not your natural choice for this film: my background is French-Algerian, I grew up in London, I'm not even a WASP. But I wanted to focus on the story of the challenges facing young men, not make a political film. It was very important to me to bring out the shades of grey with all the different players, and I made this clear when negotiating with the producers. I have no links to Belfast, it was the screenplay that drew me to this.
Working with television you have much more time to draw out an epic character arc, whereas in film its a mere snapshot and you have to work to make every moment count.

UPDATE: DVD/BLU-RAY SLEEVE DESIGN
Rather stumbled upon this, but very useful context, and real micro-level detail:
I started working on the initial packshot for ’71 back in August 2014 and the final artwork files have just been sent. It’s rare for me to spend so long on an individual title (unless the delays are due to production issues!).
The Blu-ray and DVD packaging has gone down a slightly different route to the Steelbook release. Although using the theatrical artwork as its base, we wanted to create something that had a more military feel. The colours were adjusted and a new textures were added to the background, giving it the khaki texture. There’s also a little adjustment to the composition in “’71” as well a colour change. Both the Blu-ray and DVD releases have a cardboard o-ring sleeve, which has an overall matt varnish with spot UV gloss. The Blu-ray has a cut down O-ring, which shows the black Blu-ray case at the top.
Source: Rogue4 Design.
Khaki colourscheme the key to this design


(NORTH LEEDS LIFE): WARP MOST IMPORTANT FILM CO OUTSIDE LONDON?
Great quote here, and a useful one to use in an essay:
“The acclaim for Yann Demange’s ’71 comes as no surprise”, said Hugo Heppell, Head of Investments at Screen Yorkshire and Executive Producer on ‘71. “Its selection for Official Competition at the Berlin Film Festival is much deserved recognition for Yann, Angus, Robin and the whole team at Warp. We are immensely proud to have supported Warp over the last ten years and to see it now as the most significant film production company outside London.”

Tuesday, February 18, 2014

Tyrannosaur: archetypal Warp/UK Indie movie?

See this additional post focused on the distribution of Tyrannosaur.

Tyrannosaur
[Wiki]
dir. Paddy Considine [Wiki]
Principal producer: Warp X [Wiki]
Budget: £750k
Box Office: UK £243k, US $22k
Guardian microsite with multiple features, interviews etc
BOXOFFICEMOJO; IMDB; THE NUMBERS.

Warp Films trailers and distributors (my guide post)


Its a superbly crafted film (they didn't struggle to find rave reviews to feature on the poster + other promotional materials), typically enough for Warp Films/X, the Sheffield-based UK Indie launched by the ambitious record label Warp, home of dance acts such as Aphex Twin plus Indie rockers Arctic Monkeys.*