WOMEN BJD Rene Zellweger - Just a pretty face?

There has been quite a commotion over Rene Zellweger's re-appearance in the media spotlight this past week, specifically surrounding her radically altered facial appearance. This is an actress, lets not forget, who piled on extra pounds to play a 'chubby' Bridget Jones (actually still well below the average size/figure of a British, never mind American, woman of her height, a quite invidious representation).

Steve Rose posts an interesting article which argues (quite briefly!) that, irrespective of gender, an actor's trade is centred on their face; it's their brand he effectively argues, with the close-up a key tool of cinema.

On the other hand ... Jennifer Gerson Uffalussy writes that this scrutiny is inherently sexist, and symptomatic of the objectification women in the media (and beyond) face:

“Where did Renee Zellweger’s face go?”

Curtisland goes to sea

This is a post copied across from an A2 blog.
Scroll to the end for a great powerPoint on TBTRocked
see http://www.bbc.co.uk/dna/h2g2/alabaster/A23243906 for a useful, brief guide on RC's career
Be aware that while animated it is somewhat explicit, but the Monkey Dust cartoon Curtisland is a rather ingenious critique of the issues around Curtis' white-washed movie representations

[UPDATED JUNE 9TH - SEE END]
Opening title for The Boat That Rocked:

IT'S 1966. THE GREATEST ERA FOR BRITISH ROCK'N'ROLL

Not England. Britain. And it's set on a boat in the North Sea. ... Yet, even in this scenario, there are no Scots, no N.Irish, no Welsh; the only variety from S.Eng characters comes from an American (a US star, Phillip Seymour Hoffman, in to help sell to a US audience), a Southern Irishman and an Australian character.