Showing posts with label Amazon. Show all posts
Showing posts with label Amazon. Show all posts

Saturday, September 15, 2018

Amazon Netflix IMAX releases?

They may still buy or launch their own cinemas to showcase and monetise their original output, but discussions on IMAX screenings seem closer...

Once again, we see convergence - in this case between traditional media (cinemas, though IMAX and IMAX 3D are more recent as a relatively mass market feature) and the digital streaming upstarts. The traditional film industry, especially the distributors and exhibitors who are usually cut out by online-only distribution, have been openly hostile, with annual rows at the Cannes Film Festival the most high profile example of this (there have been protests over allowing Netflix films to screen - quickly blocked by rules which require a long gap between cinema and online release).

Here's a snippet from the article:
According to The Hollywood Reporter, Gelfond, who has led IMAX for the past decade, was a speaker at the Goldman Sachs Communacopia conference earlier this week – the same conference where the new owner of HBO called Netflix the Walmart of streaming services. Gelfond, however, had nothing bad to say about Netflix or any other company. 
Instead, he said that his company is “in active discussions with all of the streaming [services] about an IMAX release”, so we may be looking at more than just a Netflix IMAX partnership, but a team-up between the large-screen exhibitor and every streaming service out there – assuming these talks lead to deals. Gelfond called out the fact that many of the streaming services’ original films are lacking an “opening day,” and implied that IMAX was the best way to cut through the clutter of the entertainment marketplace, saying “the number one way to event-size the size [of a movie] is in IMAX.”

Monday, October 23, 2017

NETFLIX worlds biggest media company as APPLE launches rival

2018 update: Netflix puts content above costs but is the policy sustainable?

https://www.theguardian.com/media/2018/may/25/netflix-puts-content-above-costs-but-is-policy-sustainable?CMP=Share_AndroidApp_Copy_to_clipboard

I've written a few times that Apple's entry into the subscription TV streaming market is inevitable ... and here it comes, with an annual $1bn budget for 10+ new series and some incredibly high profile industry names signed up
Apple has Netflix and Amazon in sight as it hires British TV executive

https://www.theguardian.com/technology/2017/oct/25/apple-has-netflix-and-amazon-in-sight-as-it-hires-uks-top-tv-executive?CMP=Share_AndroidApp_Copy_to_clipboard

More niche than Netflix: nine specialist streaming services you should try https://www.theguardian.com/tv-and-radio/shortcuts/2017/oct/23/more-niche-than-netflix-nine-specialist-streaming-services-you-should-try?CMP=Share_AndroidApp_Blogger

Thursday, August 24, 2017

VOD DISTRIBUTION Amazon attracts TIFF Indies with 200k offer and 30c per hour streamed

NoFilmSchool report.

Amazon
continues to expand its disruption of the traditional film market and industry practices, especially distribution (though it, like Netflix, is also expanding its production arm).

TIFF, an especially notable (Toronto International) film festival (very important for Warp over the years) has begun including TV, a strong sign of the convergence between the two industries (again, consider Warp Film's recent output - mostly TV!).
An event at TIFF sponsored by Amazon.

The 2017 TIFF has also seen Amazon build on its 2016 Sundance offer of $100k plus royalties for distribution rights, now a $200k package - a hugely tempting proposition for young or Indie filmmakers to instantly gain large scale international distribution.

Would you accept a $200,000 bonus to upload your official festival selection to Amazon Video Direct? That offer is now on the table for directors with films playing at the 2017 Toronto International Film Festival. 
In May 2016, Amazon launched the Film Festival Stars program, which aimed to lure festival fare to its streaming platform by offering $100,000 upfront and royalties to rights holders. At Sundance this year, we spoke with the head of Amazon Video Direct, Eric Orme, who told us that he hoped the program would help filmmakers capitalize on self-distribution. "We recognized that a lot of films at Sundance don't get full-service distribution deals," Orme said. "We want to provide a new distribution pathway for those films. Expanding distribution options means more great films have the opportunity to reach wider audiences."
Is this having any impact? Quite simply - yes:
The Film Festival Stars deal requires filmmakers to make Amazon Video Direct the exclusive SVOD home for this film, although directors can wait up to 18 months to upload their movies to the platform. In the interim, their films can play at other festivals and theaters. In addition to the initial bonus, filmmakers will receive a royalty rate of $0.30 per every hour their film is streamed on the platform—more than double the rate Amazon offers other Video Direct users.So far, the program has proven a hefty incentive. At SXSW 2017 alone, Film Festival Stars signed deals for 40 movies. 
See NoFilmSchool article.

Variety report.
Another report.


Tuesday, August 08, 2017

STREAMING Disney quit Netflix for own service. Fragmentation?

Disney now offering streaming TV.

Apple will have to join this suddenly crowded market, with Netflix, Hulu, Amazon and more facing increasing competition.

If more of the big six follow suit, surely that will actually undermine the paid-for streaming industry and encourage a resurgence in piracy?
Not in Lux. yet, but a fullscale streaming option is being rolled out.

Friday, June 16, 2017

UPSTREAMING RIP DVD Netflix Amazon dominate UK TV by 2020

The outlook for cinemas is uncertain as home cinema continues to grow in the quality offer, all-you-can-eat ticket offers on the rise, the likes of NBC-Universal's Prima service offering home screening of cinema releases, and the falling appetite for 3D - the extortionate ticket prices of which have been boosting cinema revenues for years, a golden goose that is now shedding its feathers...

The music industry has had to accept the sharp decline of physical sales, but the film industry hasn't yet reached that point of acceptance - but DVD and Blu-Ray alike are heading for the same cliff-edge of sales that CDs reached some years ago, another huge revenue stream under threat.

The big six also need to consider the digital upstarts Amazon and Netflix (and surely Apple sooner or later, the music industry slayer!) as key rivals ... and partners, an uneasy relationship.

A UK study has concluded that in just 3 years (by 2020) UK pay-TV revenue will be below that of streaming sites - but cinema might be more resilient (given my points above I'm highly sceptical!)

Paying for TV content from on-demand digital video services will grow by more than 30% to £1.42bn at the turn of the decade, claims consultancy firm PwC. This rise in popularity will see revenue from video services edge ahead of an estimated £1.41bn from cinemagoers. 
While Apple and Sky have also made inroads with their download services, the rise of streaming has been the biggest competitive challenge to cinemas in recent years. 
“Demand for internet video shows no signs of slowing down,” said Phil Stokes, UK head of entertainment and media at PwC. However, he warned against forecasting the death of blockbusters or the big screens where they are shown. “The figures do not signal the death of film. Look at the box office performance of films such as Star Wars: Rogue One or Fantastic Beasts and Where to Find Them to see the significant amount of enthusiasm for blockbuster movies out there.” 
Stokes said the UK film industry will remain in a “pretty healthy” position despite the boom in home entertainment. 
The report predicts movie attendance will grow from 172m admissions last year to 179m in 2021, and the number of screens across the UK will rise from 4,143 to 4,542. 
PwC predicts a “terminal decline” for DVD and Blu-ray sales from £1.22bn in 2016 to just £533m by 2021. The report predicts that internet video will overtake DVD sales this year, but some analysts claim this has already happened. 
Netflix and Amazon 'will overtake UK cinema box office spending by 2020'.

Streaming has already surpassed physical sales of film:
Total revenues from digital video – which includes services such as Apple’s iTunes as well as Sky’s store and Now TV – surged almost 23% to £1.3bn last year.The digital boost came as high street sales of DVDs and Blu-ray discs fell 17% to £894m – the first time it has fallen below the £1bn mark. The once mighty physical rental market fell 21% to just £49m.
(2017 Guardian article)

Friday, August 19, 2016

Netflix and Amazon rival big six?

I'll return to this to gather points made across many posts on this theme:
The traditional big six (7 if you count Lionsgate) vertically integrated US conglomerates that dominate global cinema have cause to be seriously worried about Netflix and Amazon (with Apple, HBO and many more bubbling away in the wings too).

The online giants are at once customer/distributor for the big six, including VoD and rental alongside DVD and Blu-Ray sales, and rival, with their film production budget growing, and the release strategies they follow undermining the concept of the release window.
Netflix’s Reed Hastings: ‘We’ve got a long way to go to get to ubiquity’.

Saturday, February 20, 2016

RELEASE WINDOW Cinemas love Amazon, nix Netflix

TBC

Guardian article.
There have been several high profile battles over the traditional release window - the convention that there will be around a 3 month gap between cinema run and DVD release, and another before TV release (which can be further staggered in the UK between premium subscription channels such as Sky Movies and terrestrial channels BBC1, BBC2, ITV1, C4 and C5).

Disney was forced to back down over its plans for Alice in Wonderland when several of the major chains threatened to boycott the movie if they didn't stick to the release window.

Netflix seems to have suffered such a backlash with its plans for a Crouching Tiger, Hidden Dragon sequel (the biggest foreign hit in US history took $130m there) to be an IMAX release seemingly abandoned. Cinema chains again pledged to boycott the film, due to be released on the Netflix platform at the same time.

Monday, September 29, 2014

Vloggers + UGC rivalling studios + conglomerates?

Certainly not a new topic this, although I haven't completed adding tags to the entire archive of posts, you'll see that 'UGC' (user-generated content) is a common topic (and I'll have a look to add 'vlogger' where appropriate: video-based bloggers).

Gradually being updated - use the tag clouds!
I blog again on this as its a topic we've been discussing in recent lessons, and I've reflected on in recent posts. As Media students today, the demands on and expectations of you are higher than in the past - with the technology at your fingertips, there is an expectation of at least 'prosumer' levels of quality, ideally there being no clear indication (or anchorage) of your work as student productions at all.
Fragment of a past post on this topic.

The skills you're developing are highly marketable and valuable:

Tuesday, June 03, 2014

DIGITISATION: Kevin Smith, podcast auteur?!

Jay and Silent Bob in Clerks; they've inspired a shoe range!
I'm not sure what traction the name has with today's teens, but for (some of!) my generation, Kevin Smith, a remarkably foul-mouthed film-maker who put together a classic/cult debut film for peanuts (Clerks, $28k!) whilst working full-time in a dead-end job, has made a remarkable claim about his status:
Filmmaking is the only art form where you say, "I wanna express myself. Give me $10m and Ben Affleck." ... But all along what I could do was talk. If podcasts were movies, I'd be up there with Spielberg, dude.
Read a Biskind interview here.
If it was now, I would have seen Slacker and written a blog about it or recorded a podcast. That would have been enough. The entire message of my career is that if you want to do it, you should try. I am a chimp and I built a career out of making films. And I don't even consider myself a film-maker! Oh yeah, and PS: neither do the critics.
For a film-maker who created the iconic/cult characters Jay and Silent Bob, and who has two decades of film-making behind him, that's quite a statement.
In a real sign of the times, he's currently in the UK touring a combination of a 60-min animation and a podcast recording!

Peter Biskind's book Down and Dirty Pictures, which tracks the rise and fall of the Indies from the 80s to the mid-noughties (including glimpses of WT), frequently features Smith, whose up and down relationship with Miramax and its fierce co-head Harvey Weinstein tells you a lot about how the industry works (or malfunctions!) ... and is a sequel to arguably the best book ever written about cinema, Easy Riders, Raging Bulls.

The current (June/July 2014) tour is an indication that film may be undergoing a similar shift to the music industry, in which CDs are increasingly a secondary revenue stream compared to tours and merchandise. As is becoming a widespread music concert practice, there is a VIP option for keen fans:

The mini-tour even has an official sponsor! Screenshot from seesmod.com.

I've blogged on similar events on the MusiVidz blog (on the music industry/videos), but can also make a link to the book industry where, once again, there is a decline in sales of physical texts and publishers are looking to author tours as one means of replacing the lost revenue:
the rise of Amazon and the Kindle is transforming the nation's publishing institutions, which are being forced to seek new sources of revenue. As bookshops close, authors are embarking on rock star-style tours; the newly formed mega-publisher Penguin Random House sold 10,000 tickets for a reading tour by Caitlin Moran. The publisher is also turning one of its most famous characters, Peter Rabbit, into a cartoon and is seeking tie-ins with toymakers and chocolatiers.
Some publishers are looking at diversifying into new forms of content, for example by combining books, films and games into a new narrative genre. A new iPad thriller called The Craftsman, launched last year, turns the reader into the main character in a gothic, cinematic chiller.
(from this article on eBooks set to overtake print books by 2018)
  
You can read the full article below, or click here.