Showing posts with label home cinema. Show all posts
Showing posts with label home cinema. Show all posts

Sunday, December 04, 2016

VOD + BOUTIQUE CINEMA history + UK services overview

An excellent overview of the radical shifts in the cinema industry, responding to digital disruption by diversifying, not least going upmarket...
On a recent visit to a Curzon cinema in London I sat (lay, really) on a steeply pitched chair that had been upholstered in red fur. Outside in the lobby, the snacks for sale included prosecco-laced ice lollies and popcorn flavoured with specific French cheeses; I chose a wedge of iced sponge cake that was on display under a cloche. Inside the screening room, I wasn’t the only one clacking tableware while we waited for the feature – Woody Allen’s Café Society – to start.
A pre-film advert played, promoting the Curzon’s app. Audiences were advised that, next time, they could simply stay at home and use their phones to stream selected newly released films direct to their TVs. Café Society had a 1930s setting, a jazz soundtrack, Allen’s usual Windsor font in the credits. But the preamble to it had been powerfully, pungently modern, illustrating the lavishing-up of many cinemas and the spread of home-streaming services, developments that have come to characterise movie‑watching in 2016.
As Allen’s film played I lay on the near-horizontal, watching it down my nose and trying not to fall asleep during the slow bits like an old man in front of the snooker – asking myself how we’d got here. To cinema seats resembling pool loungers. To phones that with the right software could call up hundreds of thousands of feature films. Just under a third of the UK population now streams films and this year sales of digitally streamed or downloaded movies outstripped sales of DVDs for the first time.

Full stream ahead? The brave new world of cinemagoing.

Tuesday, May 05, 2015

DIGITISATION, GLOBALISATION, CONVERGENCE Superhero hegemony in brief

Another critic (Jason Wilson) rather irked at the hegemony of superhero tentpoles. If you use the superhero tag in particular you'll find several linked articles analysing the rise of these films and this me-too strategy.

A quick summary follows of key points you can utilise to show your understanding of how (British and global) cinema functions ...

Tuesday, April 28, 2015

3D Sky's not the limit for 3D after all

Launched with an Avatar exclusive, as brazen an example of both vertical and (with heavy plugs in The S*n for instance) horizontal integration, Sky has announced its shutting its 3D channel.
That's great news for the cinema industry, a strong sign that there are limits to the appeal of home cinema.The writing's been on the wall for 3D for some time now, but Sky is finally acknowledging the fact that, really, we just don't want to wear 3D glasses in our living rooms thank you very much.So Sky will pull the plug on its dedicated 3D channel this June. It will move its 3D content to its booming On Demand library section, giving it a much better home. That is, until Sky rolls out its 4K content and we forget this whole 3D thing ever happened. [http://www.techradar.com/news/television/tv/sky-just-pulled-the-plug-on-3d-tv-1292274.]
That's rather good news for the cinema industry at least, a sign that home cinema does have its limits.

Monday, December 01, 2014

1 in 5 homes with cinema room by 2020?

This previous post looked at NBC-Universal's $35k home rental scheme, very relevant to the theme below...
According to a recent survey, a fifth of Britons aim to have a dedicated cinema room by 2020 ... and 8% already do! The rise of home cinema has long been noted, but this is a step beyond having a large screen TV in the living room, being something closer to the setup seen in The Sopranos, the classic HBO series, where mafia don Tony brings round his cronies to sit in comfort and watch DVDs of such gangster flicks as The Public Enemy.

The rise of cinemas such as Leeds' Everyman, with its large sofa seating and tables for drinks and food (with the food menu going well beyond popcorn, and premium beer/drinks available), indicate one means by which the cinema industry is attempting to fight back against the increasing numbers staying at home for their cinema experience. Everyman's pricing strategy also quite purposefully tries to exclude many of the teens who effectively ruin the cinema experience for adults.

The site I read the home cinema stat on was pushing a new concept, the rise of corner shops and off-licenses as the replacement for dedicated video rental stores, with the demise of Blockbuster the most visible sign of their disappearance from the high street, with pressure from Netflix and other streaming services, piracy and supermarket sales all proving terminal.

The article specifically cites 'automated kiosks' - have any of you ever encountered one of these? Clearly yet another means by which digitisation is opening up further possibilities for distribution.
In 2013 70% of TV sets sold in the UK were classified as big – 26in-32in – and nearly 16% were were “jumbo” – 43in or bigger. This is up 4% from the year before, according to TV Licensing’s annual Telescope report on the nation’s viewing habits.An earlier report found that 8% of Brits expect to have a dedicated cinema room in their homes by 2020.With staying in firmly established as the new going out, and consumers abandoning FOMO, the fear of missing out, in favour of JOMO, the joy of missing out, there’s never been a better time to cash in on the sales opportunity offered by big nights in, and this year OLN is looking at how to host and sell the perfect movie night.As more and more traditional video and DVD rental shops have gone out of business in the face of competition from postal and on- demand services such as Amazon Prime and Netflix – giant Blockbuster went into administration late last year – some off-licences have stepped into the gap, offering customers DVDs for rent or sale.Automated video kiosks such as those offered by Original Video (original-video.com) have taken off in the US, where they first launched in 2002 and where there are now more than 30,000 units in operation. The model is simple, with new release movies offered for a small hire charge and, according to Original Video, they can make up to £500 a week.Even if you don’t offer DVDs yourself, this is a great time of year to inspire customers to make a big night in of their film evening with an innovative aisle-end or window display – and don’t forget to lay out the snacks, as nibbles such as popcorn, crisps and sweets are a key ingredient.To get you started, we’ve lined up some classic film choices – and suggestions to drink with them.■ Casablanca: Humphrey Bogart’s Rick is a self-confessed drunkard, and in the course of the film plenty of wine, bourbon, brandy and Cognac is consumed. But when you watch Casablanca, why not have a Champagne toast along with Rick and his lover, Ilsa, played by Ingrid Bergman. They’ll always have Paris.

Tuesday, April 16, 2013

Universal launches $35k Prima Cinema: $500 tickets!

Prima Cinema has teamed with Hollywood studio Universal to offer the new service, which is targeted at super-rich film stars and other celebrities. The $35,000 price tag covers a digital box allowing movies to be delivered via the internet: once downloaded, they can be viewed just once at a cost of $500. Prima inspects every client's home cinema to ensure there are no more than 25 seats, so the service cannot be used to set up a commercial cinema business.
Universal is the only major studio currently offering its movies via Prima, but it is hoped others will follow suit if the service is found to be commercially viable. Upcoming films which will be available to view at home on the same day as their US cinema release include the Tom Cruise sci-fi thriller Oblivion as well as past titles such as Les Misérables, Identity Thief and Admission.
Universal is confident its latest strategy to combat the effects of online and home cinema on box office will reinforce its revenues - and it does seem a smart move. Basically, they're catering for the wealthy by offering $35,000 equipment that allows new releases to be viewed at home for $500 a pop. By 'home' they mean multi-million pads with space to accomodate a mini-cinema (up to 25 seats). The film is streamed, the latest use of digital distribution. They can verify that users don't seek to abuse the service with multiple screenings and ticket selling. See below for more info, from this article.

$35,000 kit allows super-rich to watch films at home on day they are released

Hollywood studio Universal is first to offer the service, aimed at film stars – with each viewing costing $500
Jurassic Park film, 1993
Home truths … a scene from Jurassic Park. Owners of the Prima Cinema equipment can see the 3D version at home this weekend. Photograph: MCA/Everett/Rex

The experience filmgoers have been waiting for since the dawn of Hollywood has arrived: the chance to see new releases at home on the same day they hit cinemas. There is, however, a catch: to view Jurassic Park 3D this weekend you will first need to install projection equipment costing $35,000 (about £23,000), while each viewing costs $500 a pop (£330).