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Sunday, November 29, 2015

UGC #IvorIsComing to Shaun of the Dead

'The text' extends far beyond the 'product' officially released...
[Hoping to finally find some time in a few weeks to work through months of mainly smartphone-sourced posts and properly format/illustrate these ... and here's another for that growing catalogue...]

Great example of the UGC concept which provides a rather funny demonstration of why Gauntlett, Gillmor and more are right to write of "the former audience" in the web 2.0 era (OK, so the shift to social media online dominance gives some sway to the web 3.0 label, but that's yet to gain the same currency).

Scroll to the bottom of the Unilad article linked below [NB: comments, fairly typically, contain strong language, and the article itself contains some - I've linked a Love, Actually alternative at the bottom] and you'll see a doctored SotDead still, one of many filmic responses to the viral mocking of an Irish hipster. I'll share a screenshot in due course.

Working Title, never mind their conglomerate parent NBCU or SotD's distributor, have no control over this - though surely smarter film firms will be keen to share, encourage and maybe even (albeit with risks of backlash) create such UGC?

There's convergence here too: a website accessed through a social media platform reporting on and sharing Twitter and Instagram trending content which features many film references, and which I, like most, accessed and viewed on my smartphone before further sharing on Blogger!


 
The above features some explicit language - on rather safer ground (though there's never any accounting for user comments) is this UGC: a Love, Actually game which sounds every bit as horrible and exploitative as the film itself...

The caption should really say 'Let's vomit'. I'm looking forward to seeing Warp's Tyrannosaur get its own game website...

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