Skyfall and Jurassic World were early adopters of these metallic dragonflies; Time estimated in 2018 that the daily cost of using a drone in a film stood at between $4,500 and $13,000, compared to $20,000 to $40,000 for a helicopter. Now the airborne images seen in every YouTube travel video risk creating a homogenous style of cinematography. If any amateur can achieve that effect, how will movies set themselves apart?
This blog explores US influence (financial + cultural), Anglocentric (ie, primarily English) representations, digitisation, ownership, industry developments, audience, media theories, tracking key news + events, with Film/Media A-Level/undergrad students + educators in mind. Examples often include Sheffield's Warp (Indie) and London/LA-based Working Title (NBC-Universal subsidiary), ie This is England/Four Lions v Bridget Jones/Green Zone! Please acknowledge the source/blog author: Mr D Burrowes
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