Great example of why any student (or anyone interested in) studying film should routinely read box office analysis columns like these.
We get a very clear example and blunt analysis of why European productions struggle without the global clout of a single big six distributor, having to restart the marketing effort, an expensive and impractical proposition, on a territory by territory basis as the limited number of prints slowly tour around.
Ghastly start for Crimson Peak leaves old-style horror in the red http://gu.com/p/4ddp7?CMP=Share_AndroidApp_Blogger
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