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Tuesday, April 16, 2013

Digitisation and the piracy debate

TBC
Is the piracy debate overplayed by the film industry?
Are the ads starting every DVD which link film piracy with organised crime likely to impact on youth - or perhaps the alarmist message is aimed at politicians, not consumers? Then there is the Industry Trust for Intellectual Property Awareness £5m campaign, Moments Worth Paying For (backed up with a UKFC/National Lottery funded website, "findanyfilm.com", which locates legal DVD/download links for any film. [source]
Its also arguable that the legal moves against the likes of Kickass Torrents are tokenistic.
Look more closely at what is being pirated - its the Hollywood productions; only highly marketed British productions are likely to appear on the likes of Torrent sites (the likes of a Loach movie is unlikely to attract many 'seeds'!). [source]
Some users feel justified in pursuing piracy given the distribution strategies of the majors: only sending cinema prints to the UK after the US run has finished (the rare exceptions are films like Avatar which are given an incredibly expensive worldwide release). Plus, many British films simply won't make it to cinema screens. Then there's the pricing of cinema tickets, and the increasingly poor cinema experience, blighted by smartphone wielding youth. Cineworld's targetting of 35-44+ through
luxury food etc suggests an alternative strategy to lawsuits, as do the wave of streaming and download options becoming available.

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