- whilst the 15-24 (and wider 15-34) demographic remains absolutely key, the fastest growing audience segment is 35-44
- with this in mind, a spate of new cinemas (or at least sections in cinemas) will be rolled out across the Cineworld chain: deluxe cinemas with bigger, individual seats and luxury food for sale at cafe-style outlets in place of the popcorn concession stalls (he doesn't say so, but this must partially be in response to consistent complaints from non-teen cine-goers over texting/mobile-using youth spoiling the cine-experience!)
- just as with £d - sorry, 3D... - that handily creates an excuse for premium ticket prices!
- Cineworld's shares are valued at around £300m
- the majors have subsidised the cost of digital projectors and 3D projectors (Cineworld is spending £40m on digital projectors alone) - and have agreed to stick with the technology in use for a period of time in order to let cinema operators recoup the set-up costs
- 65-70% of profits still come from ticket revenues; Wiener is adamant the profits from popcorn etc are overplayed
This blog explores US influence (financial + cultural), Anglocentric (ie, primarily English) representations, digitisation, ownership, industry developments, audience, media theories, tracking key news + events, with Film/Media A-Level/undergrad students + educators in mind. Examples often include Sheffield's Warp (Indie) and London/LA-based Working Title (NBC-Universal subsidiary), ie This is England/Four Lions v Bridget Jones/Green Zone! Please acknowledge the source/blog author: Mr D Burrowes
Sunday, February 27, 2011
Cineworld 2011
Just listening to Radio 5's "On the Money" (27.2.11, 8-9pm) with Cineworld boss Steve Wiener interviewed on Oscar night. Some intersting insights:
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